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She Survived a Train Accident. Her Train Wreck of a Dad Is Next.
In Garth Risk Hallberg’s new novel, a teenage rebel and her father reconnect amid a sea of their own troubles.
By Dwight Garner
In Garth Risk Hallberg’s new novel, a teenage rebel and her father reconnect amid a sea of their own troubles.
By Dwight Garner
An unassuming car had a surprisingly large cultural footprint.
By Jim Windolf
The director David Leitch on the unsung artistry of stunt performers.
By Alex Barron, Wendy Dorr, Sophia Lanman and Nicole Sperling
While enough for No. 1, the big-budget original movie gave Hollywood its lowest start to its summer box office season since 1995.
By Brooks Barnes
The director David Leitch narrates a sequence from the film featuring Gosling and Emily Blunt.
By Mekado Murphy
The director David Leitch narrates a sequence from his film featuring Ryan Gosling and Emily Blunt.
By Mekado Murphy
Selections from the Weekend section, including a review of Jane Schoenbrun’s “I Saw the TV Glow.”
By Danielle Dowling
The actor charms as a swaggering stunt man, alongside an underused Emily Blunt, in the latest skull-rattling action movie from David Leitch.
By Manohla Dargis
Ryan Gosling hosted an episode that included appearances by Caitlin Clark, Emily Blunt and Kate McKinnon, another Ken song and multiple sketches full of people laughing at their own jokes.
By Dave Itzkoff
Discussing the quick ascent of the downtempo R&B singer 4batz, the new Ariana Grande album, “eternal sunshine,” music at the Oscars and more.
Working off ideas from Ryan Gosling and Greta Gerwig, the choreographer Mandy Moore created the crowd-pleasing number in days.
By Nicole Sperling
Our movie critic looks back on the Academy Awards.
By Alex Barron, Larissa Anderson, Daniel Powell and Alissa Wilkinson
Emma Stone and Christopher Nolan were among the winners celebrating at the official after-party of the Academy Awards.
By Kyle Buchanan, Nicole Sperling and Sinna Nasseri
In one of the evening’s most anticipated performances, Gosling and dozens of dancers went over the top and even brought out Slash for a cameo on guitar.
By Esther Zuckerman
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Greta Gerwig, the co-writer and director of “Barbie,” narrates this musical sequence, including Ryan Gosling’s performance of the song “I’m Just Ken.”
By Mekado Murphy
Wesley Morris honors the year’s performances with some awards of his own invention.
By Wesley Morris
The former presidential candidate joined the chorus of disappointment in the omission of Greta Gerwig and Margot Robbie from the best director and best actress Oscar categories.
By Maya Salam
Aunque se espera que a “Oppenheimer”, “Barbie” y “Los asesinos de la Luna” les vaya bien, la contienda entre los directores no está para nada decidida y otras categorías también están abiertas.
By Kyle Buchanan
While “Oppenheimer,” “Barbie” and “Killers of the Flower Moon” are likely to do well, the directors race is hardly set and other categories are open, too.
By Kyle Buchanan
Hear tracks by Ryan Gosling (as Ken), Central Cee, Kesha, Jason Moran and others.
By Jon Pareles, Giovanni Russonello and Lindsay Zoladz
Plus: Violent J in our 50 Rappers, 50 Stories project, new songs, and new snacks. [Originally published July 26, 2023]
Seventy-one tracks that asked big questions, found new kinship between genres and helped us see the good in Ken.
By Jon Pareles, Jon Caramanica and Lindsay Zoladz
For women maybe first, and for men too, eventually, less wedlock means more woe.
By Ross Douthat
The most majestic dance in “Barbie” is an emotional release for the Kens, but in subtle ways movement touches, and enhances, everything in the movie.
By Gia Kourlas
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Plus: Violent J in our 50 Rappers, 50 Stories project, new songs and new snacks.
A selection of entertainment highlights this weekend, including the films “Barbie” and “Oppenheimer.”
By Danielle Dowling
Mattel quería un éxito taquillero para empezar a construir su universo cinematográfico. La directora quería indagar en la influencia que esta muñeca ha tenido en lo que significa ser mujer.
By Willa Paskin
She’s in the driver’s seat, headed for uncharted territory (flat feet!). But there are limits to how much dimension even Greta Gerwig can give this branded material.
By Manohla Dargis
How do you make dolls with a thorny history into modern movie characters? Run toward the complexity, say the star-producer and her castmate.
By Nicole Sperling
Mattel wanted a summer blockbuster to kick off its new wave of brand-extension movies. She wanted it to be a work of art.
By Willa Paskin
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