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![Contemporary Francophone African Plays](https://rutgers-us.imgix.net/covers/9781684485116.jpg?auto=format&h=648)
Contemporary Francophone African Plays
An Anthology
Edited by Judith G. Miller
“Judith Miller, the foremost scholar in the field, has curated an indispensable and invaluable transhistorical and transnational anthology. Contemporary Francophone African Plays offers unprecedented insights into the work of some of the most experimental, innovative, and groundbreaking dramatists of the past five decades.” —Dominic Thomas, coauthor of New Francophone African and Caribbean Theatres
![Science Fusion in Contemporary Mexican Literature](https://rutgers-us.imgix.net/covers/9781684485192.jpg?auto=format&h=648)
Science Fusion in Contemporary Mexican Literature
Brian T. Chandler
“Science Fusion, a criticism of the Enlightenment colonial notion that separates science and the humanities, begins with an engaging study of people passing through the science tunnel in the La Raza metro station in Mexico City. As Chandler draws on ecocriticism, science fiction, and the history of science in Mexico, his dynamic work shows that our experience of the world is an interconnected one, made up of matter, and how we interpret it.” —Rebecca Janzen, author of Unlawful Violence: Mexican Law and Cultural Production
![Consuming Anxieties](https://rutgers-us.imgix.net/covers/9781684485314.jpg?auto=format&h=648)
Consuming Anxieties
Alcohol, Tobacco, and Trade in British Satire, 1660-1751
Dayne C. Riley
“In this valuable and engaging study of both canonical and less-studied Restoration and early eighteenth-century satires on wine, beer, gin, pipe tobacco, and snuff, Riley examines the influences—both good and ill—of global commerce and trade upon national character, social class, manners, and morality. You will never look at a glass of wine or a dram of gin in a literary text the same way.” —Linda Troost, coeditor of Jane Austen in Hollywood
![The Part and the Whole in Early American Literature, Print Culture, and Art](https://rutgers-us.imgix.net/covers/9781684485079.jpg?auto=format&h=648)
The Part and the Whole in Early Modern American Literature, Print Culture, and Art
Edited by Matthew Pethers and Daniel Diez Couch
“Brilliantly shows that respecting the plural, disjunctive, and fragmentary character of much early American writing makes marginalized genres interesting, and permits us to read women, minority writers, and history itself in exciting new ways. Highly recommended!” —Eve Tavor Bannet, author of Eighteenth-Century Manners of Reading: Print Culture and Popular Instruction in the Anglophone Atlantic World
Events
- Friday, 16 August 2024
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1650-1850: Ideas, Aesthetics, and Inquiries in the Early Modern Era (Volume 29), edited by Kevin L. Cope
Friday, 16 August 2024
Exploratory, investigative, and energetically analytical, 1650–1850 covers the full expanse of long eighteenth-century thought, writing, and art while delivering abundant revelatory detail. Essays on well-known cultural figures combine with studies of emerging topics to unveil a vivid rendering of a dynamic period, simultaneously committed to singular genius and universal improvement. Read more.
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The Essential Poetry of Bohdan Ihor Antonych: Ecstasies and Elegies, translated by Michael M. Naydan
Friday, 16 August 2024
Lemko-Ukrainian poet Bohdan Ihor Antonych (1909-37) is not as well-known as such great Slavic Modernist poets as Mandelstam, Pasternak, and Milosz, or their Western European counterparts Eliot, Rilke, and Lorca, but in the opinion of many literary critics he unquestionably should be. Sometimes compared to Walt Whitman and to Dylan Thomas, Antonych, who described himself as “an ecstatic pagan, a poet of the high of spring,” created during his brief lifetime powerful and innovative poetry with astonishing metaphorical constructions. Read more.
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- Friday, 13 September 2024
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The Joyce of Everyday Life, by Vicki Mahaffey
Friday, 13 September 2024
Part of James Joyce’s genius was his ability to find the poetry in everyday life. For Joyce, even a simple object like a table becomes magical, “a board that was of the birchwood of Finlandy and it was upheld by four dwarfmen of that country but they durst not move more for enchantment.” How might we learn to regain some of the child-like play with language and sense of delight in the ordinary that comes so naturally to Joyce? Read more.
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