Are We in a New Golden Age for the Movie Soundtrack?
Between “Barbie,” “Across the Spider-Verse” and now “I Saw the TV Glow,” directors are making the case for the film album experience.
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Between “Barbie,” “Across the Spider-Verse” and now “I Saw the TV Glow,” directors are making the case for the film album experience.
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At a Cannes news conference that ignored recent allegations, the director said he was already writing his next film.
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Though the history-inflected “Furiosa” and “Megalopolis” were the hottest tickets, films by Andrea Arnold and Rungano Nyoni proved to be discoveries.
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Multiple films this year, including the new family comedy “IF,” explore the concept of imaginary friends on the big screen.
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7 New Movies Our Critics Are Talking About This Week
Whether you’re a casual moviegoer or an avid buff, our reviewers think these films are worth knowing about.
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Dabney Coleman, Actor Audiences Loved to Hate, Is Dead at 92
In movies like “9 to 5” and “Tootsie” and on TV shows like “Buffalo Bill,” he turned the portrayal of egomaniacal louts into a fine art.
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‘Megalopolis’ Premieres at Cannes: First Reaction
Francis Ford Coppola’s first movie in more than a decade reveals a filmmaker not content to rest on his laurels.
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Francis Ford Coppola’s ‘Megalopolis’: What to Know
After its premiere at the Cannes Film Festival, we can answer your many questions, though some details still puzzle us.
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‘Taking Venice’: The Strange Story of the U.S. Government and a Painter
The documentary offers a glimpse of how the arts were treated very differently in midcentury America.
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When the director and crew of “Io Capitano” toured Senegal with their acclaimed movie, audiences responded with their life stories.
By Elian Peltier and Annika Hammerschlag
During a heated hearing, Mr. Baldwin’s lawyers claimed prosecutors had improperly presented evidence to the grand jury considering the fatal shooting on the set of “Rust.”
By Julia Jacobs
This month’s picks include crypto terrorism, gaslighting, an undercover mission and more.
By Robert Daniels
He challenged racial barriers in Hollywood, was a producer of “The Fresh Prince of Bel-Air” and earned a Tony nomination for “Home,” a paean to his Southern roots.
By Alex Williams
A reboot of the 2008 home invasion film “The Strangers” brings back masked assailants and brutal violence but leaves originality behind.
By Erik Piepenburg
The director Richard Shepard details his lifelong obsession with movies in this enthusiastic video essay.
By Calum Marsh
The Korean director Hong Sang-soo winds together the slenderest strands of two intersecting stories to make a tender film about simple pleasures.
By Brandon Yu
The film is a slim story about a girl named Bea (Cailey Fleming) who helps a crank named Cal (Ryan Reynolds) play matchmaker. Oh, and Bradley Cooper is a glass of ice water.
By Amy Nicholson
Bertrand Bonello’s latest horror film, dedicated to his teenage daughter, pushes the boundaries of the conventional pandemic movie.
By Beatrice Loayza
In the biopic “Back to Black,” Marisa Abela wears some of the singer’s actual clothes, but the hair and makeup team chose to tone the signature beehive down.
By Simran Hans
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