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Best and Worst Moments From the 2024 Oscars

In a fairly even-keeled night, emotions still ran high, whether it was the rush of “I’m Just Ken” or heartfelt words from Rita Moreno to America Ferrera.

Ryan Gosling, in a pink suit, sings into a microphone. Behind him, a throng of men hold out their arms.
Ryan Gosling leading a rousing rendition of “I’m Just Ken.”Credit...Amir Hamja/The New York Times

Fittingly for an Academy Awards celebrating 2023, the year of “Barbenheimer,” the movies that made up that phenomenon commanded our attention on Sunday night, too. None of it was a surprise, exactly — we knew Ryan Gosling was going to perform the song “I’m Just Ken,” from “Barbie.” And “Oppenheimer” had been the ceremony’s front-runner since awards season started last fall. Still, we weren’t prepared for just how much the ceremony, which for the most part ran smoothly, would get a boost from those twin blockbusters. Here are the highs and lows as we saw them.

America’s No. 1 Ken, the “Barbie” star Ryan Gosling — who was also nominated for best supporting actor and presented a tribute to stunt performers with Emily Blunt — brought the house down with his performance of “I’m Just Ken,” one of two nominated “Barbie” songs. In a shimmering hot pink tuxedo, backed by some of his co-stars (Simu Liu, Kingsley Ben-Adir, Scott Evans, Ncuti Gatwa) and a bevy of handsome men in tuxes, he danced and sang his heart out.

Gosling roamed into the audience, getting Greta Gerwig, Margot Robbie, America Ferrera and Emma Stone briefly on mic. He was held aloft and spun as giant “Barbie” face cutouts twirled around him. The song’s co-writer and co-producer, Mark Ronson, played bass onstage; on guitar were Slash from Guns N’ Roses and Wolfgang Van Halen. All three had played on the original recording. If the Oscars wanted a viral video moment, they sure got it (even though it had been announced in advance). And Gosling remains the Hollywood man with perhaps the most range. — Alissa Wilkinson

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Emma Thomas, center, one of the producers of “Oppenheimer,” speaking after the film won the Oscar for best picture.Credit...Amir Hamja/The New York Times

When “Oppenheimer,” Christopher Nolan’s hit drama about the man who helped create the atomic bomb, won best picture, the victory capped a huge night for the film: seven Oscars total, including awards for director (Nolan), actor (Cillian Murphy) and supporting actor (Robert Downey Jr.).

Released last summer to glowing reviews and a worldwide box-office total nearing $1 billion, “Oppenheimer” was considered the front-runner even before awards season began. Though some presumed favorites can’t sustain their momentum over several months, “Oppenheimer” never faltered, earning top prizes from the Golden Globes, Critics Choice Awards, BAFTAs and every major Hollywood guild along the way.

Q&A with Film and Styles Staff

Why should you not thank your publicist if you win an Oscar?

The idea, some think, is that publicists work behind the scenes to promote you, so they should be kept in the background. But the Oscars are the ultimate promotion, so I agree that if they helped get you there, they are worth a thank you.

How did the award get the nickname “Oscars”?

There’s some debate. Some say the statue reminded academy librarian Margaret Herrick of her uncle Oscar. Others say Bette Davis said its derriere reminded her of her second husband, Harmon Oscar Nelson. Hollywood gossip columnist Sidney Skolsky said he gave the nickname. It’s not, as far as we know, named for the Grouch.

What’s the deal with the floating straps trend seen on the red carpet?

The working theory is that the straps were a design accent that allowed the actresses (Emily Blunt and Florence Pugh, both representing “Oppenheimer”) to safely stand out — to inject just the right amount of strangeness and direction into their look, without verging too far into risk-taking, worst-dressed territory. The futuristic floating straps were polarizing, but memorable. And at the end of the day, the gowns you remember are the gowns that won the night.

Why aren’t stunts an Oscar category?

They should be! (In my opinion.) The Screen Actors Guild Awards honor the stunt people for film and TV already. But adding a category to the Oscars is a fraught process, and has been known to go haywire. (Anyone remember the “achievement in popular film” Oscar, which was introduced in 2018 and then scrapped a week later after an outcry?) Still, there is hope: There have reportedly been talks within the academy about a stunt Oscar.

How do they choose presenters? Some folks, besides past winners, seem random.

This is part previous winners, part actors who were in some of the nominated films and part publicists working overtime. A number of presenters have projects to promote, so it’s good for them to get face time on the show for those future (and current) releases.

Do the actors announcing the nominees write their own introductions?

They usually do not. Often, their intros are put together by the show’s writers, and the actors don’t get much time with the material, which is why some read the lines so awkwardly. The exception is usually with comedian presenters, like John Mulaney, who no doubt wrote his funny/oddball bit about “Field of Dreams” that he delivered when presenting the Oscar for best sound this year.


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