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Credit...By James Kerr / Scorpion Dagger

Spurned, Slighted, Rejected: 25 Oscar Snubs We’ll Never Get Over

Greta Gerwig, you’re not alone. These artists and films memorably — outrageously in our view — got the brush-off from the academy. We’re still in disbelief.

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Every year since the Academy Awards were invented, somebody has been overlooked, ignored, passed over, disregarded or brushed off. You know what they say about beauty and beholders.

But perceived Oscar omissions — snubs, as we have come to call them — have grown into a frenzied annual conversation, with people left off the nomination list, or nominated but denied a statuette, sometimes receiving as much attention, or more, as those who win.

These are the 25 true snubs and unjust losses that Times film critics, columnists, writers and editors still can’t get over. Read more →

Actual winner: “Driving Miss Daisy”

ImageA still from “Do the Right Thing” shows a young Spike Lee facing Danny Aiello inside a building, with the street and a man standing in front of a car visible in the background.
Spike Lee and Danny Aiello in the Brooklyn-set drama.Credit...Universal Pictures

Some people hated this movie. Others, more ominously, feared it, or claimed to. News articles and reviews imagined riots sprouting in its wake (they never came), seeing in the character of Mookie — who, in a fit of righteous fury, smashes a pizzeria window in the film’s famous climax — confirmation of Lee’s insidious intent. Did academy voters have similar misgivings? Lee, who was shut out of the directing category, did receive a nomination for his screenplay, suggesting at least one branch of the organization had his back. (Danny Aiello was also nominated for supporting actor.) But it’s hard to look at the eventual best picture winner, “Driving Miss Daisy” — a film in which Morgan Freeman plays Hoke Colburn, the patient chauffeur of a bigoted, elderly white woman — and not see a statement of preference. In 1990, it was the Hoke Colburns of the world, not the Mookies, who were welcome on the academy’s biggest stage. REGGIE UGWU, pop culture reporter


Q&A with Film and Styles Staff

Why should you not thank your publicist if you win an Oscar?

The idea, some think, is that publicists work behind the scenes to promote you, so they should be kept in the background. But the Oscars are the ultimate promotion, so I agree that if they helped get you there, they are worth a thank you.

How did the award get the nickname “Oscars”?

There’s some debate. Some say the statue reminded academy librarian Margaret Herrick of her uncle Oscar. Others say Bette Davis said its derriere reminded her of her second husband, Harmon Oscar Nelson. Hollywood gossip columnist Sidney Skolsky said he gave the nickname. It’s not, as far as we know, named for the Grouch.

What’s the deal with the floating straps trend seen on the red carpet?

The working theory is that the straps were a design accent that allowed the actresses (Emily Blunt and Florence Pugh, both representing “Oppenheimer”) to safely stand out — to inject just the right amount of strangeness and direction into their look, without verging too far into risk-taking, worst-dressed territory. The futuristic floating straps were polarizing, but memorable. And at the end of the day, the gowns you remember are the gowns that won the night.

Why aren’t stunts an Oscar category?

They should be! (In my opinion.) The Screen Actors Guild Awards honor the stunt people for film and TV already. But adding a category to the Oscars is a fraught process, and has been known to go haywire. (Anyone remember the “achievement in popular film” Oscar, which was introduced in 2018 and then scrapped a week later after an outcry?) Still, there is hope: There have reportedly been talks within the academy about a stunt Oscar.

How do they choose presenters? Some folks, besides past winners, seem random.

This is part previous winners, part actors who were in some of the nominated films and part publicists working overtime. A number of presenters have projects to promote, so it’s good for them to get face time on the show for those future (and current) releases.

Do the actors announcing the nominees write their own introductions?

They usually do not. Often, their intros are put together by the show’s writers, and the actors don’t get much time with the material, which is why some read the lines so awkwardly. The exception is usually with comedian presenters, like John Mulaney, who no doubt wrote his funny/oddball bit about “Field of Dreams” that he delivered when presenting the Oscar for best sound this year.


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