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Critic’s Notebook
Material Event: Unpacking That Pivotal ‘Succession’ Episode
The Roy family has never felt more human than it has in this season’s third episode — or more alien.
![A man in a suit, sunglasses and a phone earpiece leans over the side of a boat, hands folded, with a section of New York City waterfront in the distance.](https://static01.nyt.com/images/2023/04/11/arts/10succession-notebook/10succession-notebook-articleLarge.jpg?quality=75&auto=webp&disable=upscale)
In her 1969 book “On Death and Dying,” the psychiatrist Elisabeth Kübler-Ross described the five emotional stages of people at the end of life: Denial, anger, bargaining, depression and acceptance. Kübler-Ross’s model has since been popularly applied to the grief process. The implication is that all of us who live, love and die are in this way the same.
“Succession” appears to have done its psych homework. In the tour-de-force episode “Connor’s Wedding” — spoilers begin here — the Roy siblings learn by phone of their father Logan’s fatal collapse, while he is on a jet crossing the Atlantic, and begin racing through Kübler-Ross’s stages.
One part of the show’s genius has always been its portrayal of the superwealthy Roys as both deeply human and alien. As it is in life, so it is in death. The Roys’ reactions are, broadly, familiar to anyone who’s ever gotten similar news. It’s in the particulars that this family is very different.
Let’s start with denial. In one sense, Logan’s death may be the least surprising big surprise in HBO drama history. His health has always been shaky, and the show’s very title asks what or who will come after him. But when the inevitable suddenly happens, instinct still kicks in: This can’t be real.
“Real,” as any viewer of “Succession” knows, is a key word for the Roy family. It’s a measure of worth, separating people who are “real” — important, worthy of concern — from those who are merely numbers on a ledger.
It’s also a fraught term for characters who grew up in a, shall we say, low-trust environment. “Is this real?” Shiv (Sarah Snook) asks, with good reason, when Logan (Brian Cox) offers in Season 2 to let her take over his media empire. It’s the series’s refrain: This deal, this promise, this expression of love — can I take it to the bank?
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