Special Episode: The Last ‘Year of the Woman’

We speak to Senator Dianne Feinstein about why 2018 has been called the Year of the Woman, a moniker that comes from the historic elections of 1992.

Hosted by Michael Barbaro, produced by Annie Brown and Jessica Cheung, and edited by Lisa Tobin
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More women are running for office in the 2018 midterm elections than in any other election in American history. “The Daily” speaks to Senator Dianne Feinstein about what this moment shares with 1992, another record-breaking “Year of the Woman.”

On today’s episode:

  • Senator Dianne Feinstein, Democrat of California.

  • Kate Zernike, a political reporter for The New York Times.

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Senator Dianne Feinstein, Democrat of California.Credit...Erin Schaff for The New York Times
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From left: Senators Patty Murray, Barbara Mikulski, Dianne Feinstein and Barbara Boxer were elected in 1992, when the number of women in Congress doubled.Credit...Charles Tasnadi/Associated Press

Background coverage:

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transcript

These Ads Reveal How Women Candidates Are Changing Campaigns

Candidates like Abby Finkenauer are ditching ads showing them in pantsuits and instead focusing on their personal stories.

There’s been a record number of women running for office this year. The likelihood, based on what we’ve seen so far, is that we won’t see a huge wave of women winning. But what a lot of people who’ve watched women candidates over the years are looking for is just a shift in the way women are allowed to express themselves as candidates and a shift in the way women can campaign. The traditional advice to female candidates has been, if you want to boil it down, to sort of put a pantsuit on, recite your résumé, remember to smile, keep the kids out of the way. That’s really shifting this year. “And that’s me, MJ Hegar.” This ad for MJ Hegar is probably the most viral ad of the season: “An Air Force combat veteran and a mom.” I think what’s grabbing people is this thumping music, the fact that she’s flying a helicopter in Afghanistan. But what’s really interesting about it is she’s also talking about her kids. You see her playing with her kids, you see her as a young girl — “One of my first memories was of a door, but it was my dad throwing my mom through a glass one.” — this very vulnerable young girl of a mother who’s being abused by her father. And the other thing is, she’s showing a tattoo. That’s really unusual in a campaign ad. “I remember what it was like to come home from school and not be able to get into the house.” What’s striking about this ad from Tammy Baldwin is the way it opens and how very frank and honest she is: “My mother had a drug abuse problem.” You think of her as a little girl, someone who’s probably very vulnerable. That’s not something that women have been typically used to talking about on the campaign trail. “That’s me at the State House fighting for working families like mine.” Past advice has been to hide the children. But even more than that, to hide your vulnerability. This year Abby Finkenauer, in her ads, walks right into prime vulnerability, talking about how she owes student loans. “They said the State House would be too tough for a young lady. Then they said that a girl still paying off her student loans wasn’t tough enough to beat a millionaire for Congress.” “Every day gets harder for working families like mine to get by.” Ocasio-Cortez really came out of nowhere. And I think this video is one of the things that got people so excited about her. And if you look at it, she’s really telling an incredibly personal story about what it’s like to live in New York City at this time and how difficult it is. And she’s living her day-to-day life. So she gets up in the morning and she’s in this cramped bathroom putting on mascara. She’s on a subway platform changing from commuter shoes into her high heels, like so many women commuters like her do. We’re seeing this beyond the ads, too. In an interview with Seth Meyers, Stacey Abrams of Georgia talked about some incredibly personal issues. “My brother who faces mental health challenges and drug addiction challenges.” The truth is, the old way of campaigning didn’t work. Right now, studies show us that when you ask someone to imagine a leader, they’re inclined to draw a picture of a man in a suit. For female candidates, this shift in the way women are allowed to express themselves as candidates and a shift in the way women can campaign, really means ultimately a shift in the way we view our leaders.

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Candidates like Abby Finkenauer are ditching ads showing them in pantsuits and instead focusing on their personal stories.CreditCredit...Kathryn Gamble for The New York Times

Tune in, and tell us what you think. Email us at [email protected]. Follow Michael Barbaro on Twitter: @mikiebarb. And if you’re interested in advertising with “The Daily,” write to us at [email protected].

Kate Zernike contributed reporting.

“The Last ‘Year of the Woman’” was produced by Annie Brown and Jessica Cheung, with help from Rachel Quester, and edited by Lisa Tobin.

“The Daily” is produced by Theo Balcomb, Annie Brown, Jessica Cheung, Paige Cowett, Lynsea Garrison, Michael Simon Johnson, Andy Mills, Rachel Quester, Ike Sriskandarajah and Clare Toeniskoetter, with editing help from Larissa Anderson. Lisa Tobin is our executive producer. Samantha Henig is our editorial director. Brad Fisher is our technical manager. Chris Wood is our sound engineer. Our theme music is by Jim Brunberg and Ben Landsverk of Wonderly.

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