‘Horizon: An American Saga — Chapter 1’ Review: The Beauty, and the Bloodshed
In the first of a projected four-film cycle, Kevin Costner revisits the western genre and U.S. history in a big, busy drama.
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![Kevin Costner directed and stars in “Horizon: An American Saga — Chapter 1.”](https://static01.nyt.com/images/2024/06/28/multimedia/27horizon-review-pjtm/27horizon-review-pjtm-thumbLarge.jpg?auto=webp)
![Kevin Costner directed and stars in “Horizon: An American Saga — Chapter 1.”](https://static01.nyt.com/images/2024/06/28/multimedia/27horizon-review-pjtm/27horizon-review-pjtm-threeByTwoMediumAt2X.jpg?auto=webp)
In the first of a projected four-film cycle, Kevin Costner revisits the western genre and U.S. history in a big, busy drama.
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The chills are more effective than the thrills in this prequel to the “A Quiet Place” franchise.
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The singer’s over-the-top sincerity and expressiveness were once seen as irredeemably uncool. In the new documentary “I Am: Celine Dion,” they have become her superpowers.
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Few directors get as deeply under the skin as Catherine Breillat, a longtime provocateur who tests the limits of what the world thinks women should do and say and be.
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‘Fahrenheit 9/11’ at 20: Revisiting the Fear and Anger
Michael Moore’s hit documentary isn’t a prosecutor’s brief but a political and emotional appeal, rooted in the ways in which the country’s burdens are unequally borne.
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Three Great Documentaries to Stream
This month’s picks look at a summer in Paris, a summer at the Olympics and the heat of the erotic thriller.
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‘Daddio’ Review: Two for the Road
Sean Penn and Dakota Johnson outclass a humdrum script as two people who talk — and talk — in a New York City taxicab.
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‘Fancy Dance’ Review: The Search for a Sister
This debut feature about a missing woman on an Oklahoma reservation is an imperfect but palpably emotional portrait of desperation and hard-won hope.
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‘White Chicks’ at 20: Comedy Beyond the Pale
The Wayans brothers’ subversive comedy is smarter than you remember.
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Dr. Alex Arroyo, a director of pediatric medicine in Brooklyn, gets to live out his “Star Wars” dreams, practice jujitsu and make a big mess while cooking for his family.
By Sarah Bahr
The French filmmaker Catherine Breillat has been exploring relationships between girls and older men since the 1970s. Her latest, “Last Summer,” flips the script.
By Carlos Aguilar
This month’s selections include a Japanese serial-killer thriller, a Pride Month pick from Sri Lanka, a Malaysian drama about undocumented street hustlers and more.
By Devika Girish
A bunch of major titles are leaving for U.S. subscribers this month, including films by George Lucas and Ang Lee. See them while you can.
By Jason Bailey
A new Balmain collection pays homage to the Disney film on a milestone anniversary. Plus, a preppy designer makes a comeback.
By Ruth La Ferla
Even as the technology advances, stubborn stereotypes about women are re-encoded again and again.
By Amanda Hess
Whether you’re a casual moviegoer or an avid buff, our reviewers think these films are worth knowing about.
By The New York Times
“How to Come Alive With Norman Mailer” hits on an ingenious structure that avoids hagiography even as it includes friends and family.
By Alissa Wilkinson
When Zara (Joey King) realizes that her mom (Nicole Kidman) is dating her boss (Zac Efron), she tries to split them up.
By Glenn Kenny
“The Apprentice,” a dramatized origin story about Donald J. Trump, has faced fierce criticism from the former president and his allies.
By Brooks Barnes
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