DORTMUND, GERMANY - JUNE 15: Gianluigi Donnarumma of Italy celebrates after Nicolo Barella of Italy scores his team's second goal during the UEFA EURO 2024 group stage match between Italy and Albania at Football Stadium Dortmund on June 15, 2024 in Dortmund, Germany. (Photo by Lars Baron/Getty Images)

Spalletti is bringing out Italy’s real identity. The Tik-Italia vibes are even stronger than in 2012

James Horncastle
Jun 16, 2024

 

Federico Chiesa had a flashback. When Italy conceded the fastest goal in the history of the European Championship on Saturday against Albania, it took him back to Wembley and the night when his national team went behind almost as swiftly against England.

The occasion was different, a tournament opener for the Italians here rather than the competition’s final three years ago, but the atmosphere was as scintillatingly hostile. Dortmund felt like Tirana. Three quarters of Signal Iduna Park was rowdy red, full of Albanians draped in flags and wearing the qeleshe, their country’s traditional white brimless felt skull cap.

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It was a very negative situation,” Chiesa said. “We immediately overturned it. We took it as a positive shock to the system.”

Doubt could have set in. Alessandro Bastoni’s centre-back partner Riccardo Calafiori had not been capped until this month’s warm-up games. “There was a lot of emotion,” he said. After all, this was only his second Italy start.

Nicolo Barella was passed fit after spending the past two weeks recovering from a thigh strain. It was a pleasant surprise to see him in the line-up but questions lingered about the level he might be able to play at. “Only our brand of football can save us,” head coach Luciano Spalletti said. A brand of football he has intermittently tried to implement since being appointed 10 months ago.

“We’d like to do something that isn’t rigid, that’s quite free,” he said. “Give the players and their talent freedom of expression while being an organised team at the same time. The more unpredictability there is, the more a surprise it becomes for our opponents.”

Group BMPWDLGDPTS
Spain
2
2
0
0
4
6
Italy
2
1
0
1
0
3
Albania
2
0
1
1
-1
1
Croatia
2
0
1
1
-3
1

After gathering themselves following that first-minute shock, Italy dominated. The peaks at times resembled the pointy yellow girders that loom large over this old arena. Their highs were so high, one reporter after the game asked Spalletti straight up, “Can you win the Euros?”

“Everyone always says the same thing. The executives at the Federcalcio (Italian Football Federation) even do it now: ‘Mister (Coach), the important thing is to win’. It’s been that way since I started coaching kids. ‘The important thing is to win’. I disagree,” said Spalletti. “The important thing is to play well. That’s the only path.”

It’s more trodden than ever in Italy. Ever since Euro 2012, and Cesare Prandelli’s Tik-Italia national team who got to the final, the side known as the Azzurri have played counter-cultural football to the extent it is no longer counter-culture. Roberto Mancini won those Euros in 2021 by the grace of Marco Verratti and Jorginho showing strength in possession, Leonardo Spinazzola’s propulsion and Chiesa’s punchy one-v-ones. Italy pressed with the intensity of a blue flame.

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It is premature to claim that the 2024 vintage is an evolution. But Italy completed 750 passes against Albania, 186 of them in the final third. Jorginho directed affairs, instructing the defenders and midfielders around him where to pass and move. He was one of four Italy players to end the game as a centurion, with more than 100 successful passes.

Bastoni’s equaliser was a reminder of how well Italy weaponised set pieces at the Euros three years ago. Barella’s winner was pure uncut 1982 Marco Tardelli. At times, Italy’s play was mesmerising to watch, particularly as Calafiori strode forward and Federico Dimarco and Chiesa provided the width while Davide Frattesi bounced off Gianluca Scamacca. Although, Spalletti, always a hard taskmaster, found some of it narcissistic.

“We liked ourselves too much,” he said. “I saw a lot of good things, but they have to lead somewhere. They can’t be an end in themselves.”

Spalletti wanted more balls in behind. Italy proved adept at playing through Albania’s press and at finding the free man. But rather than strike and play another defence-splitting pass, they stood on the ball, passed backwards and restarted. Even a long ball over the top every now and again isn’t so bad, Spalletti opined. In doing so, he resembled a three-starred Michelin chef who occasionally craves a burger. “We’ll need to be more clinical in the upcoming games,” Bastoni admitted.

Italy’s style of football must save them, rather than goalkeeper Gianluigi Donnarumma, who came up big in second-half stoppage time when his armpit denied Rey Manaj an equaliser and Albania a point (below). “A draw would have been a wrong result,” Chiesa concluded.

(Kevin C Cox/Getty Images)

The Juventus winger was back on the right, reprising the role he played at the previous Euros.

UEFA awarded Chiesa the player of the match award but the plaudits instead should have gone to Spalletti. On the eve of the game, he remarked upon hearing the same thing over and over again about how little time he has to prepare these players. Spalletti instead insisted he couldn’t use it as an excuse because they have taken on board a lot of what he wants in no time at all.

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Spain, 3-0 winners over Croatia earlier in the afternoon, next in Gelsenkirchen on Friday represent an altogether different proposition from Albania.

The Tik-Italia vibes are even stronger than in 2012. Prandelli, Mancini and Spalletti have, over the last decade, brought out Italy’s real identity. It’s less catenaccio. More dolce vita and The Great Beauty.

This is Italy.

(Top photo: Lars Baron/Getty Images)

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James Horncastle

James Horncastle covers Serie A for The Athletic. He joins from ESPN and is working on a book about Roberto Baggio.