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The Brooklyn Academy of Music Announces Its Next Wave, and Next Steps

BAM, which has faced cutbacks in recent years, unveiled a reorganization as it announced its Next Wave Festival for the fall.

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Two women stand outside the Brooklyn Academy of Music, in front of its ornately carved facade.
Amy Cassello, left, the Brooklyn Academy of Music’s new artistic director, with Gina Duncan, its president.Credit...Jeenah Moon for The New York Times

The Brooklyn Academy of Music, a haven for international artists and the avant-garde that has been forced to reduce its programming and lay off workers in recent years, unveiled plans for a reorganization on Thursday as it announced its fall season.

The institution said that Amy Cassello, who has been with BAM for more than a decade, would officially become its artistic director, a position she had been holding on an interim basis. And it announced a new strategic plan that calls for programming more works that are still in development, establishing more partnerships with other presenting institutions and hiring a new community-focused “resident curator.”

BAM executives said they hoped that the plan would help usher in a new era for the institution after an exceptionally difficult period.

Like many nonprofit arts organizations, BAM has struggled financially since the pandemic, and its annual operating budget dropped. It has also been buffeted by leadership churn in recent years after decades of stability in its senior leadership ranks.

“I’m feeling really confident about our future,” said Gina Duncan, BAM’s president since 2022. “We were able to gain alignment across all of BAM’s communities and really arrive at a point in which we had a shared understanding of our history and what the future holds for us.”

The upcoming Next Wave Festival in the fall will have 11 events, up from eight in 2023, a difficult year when BAM laid off 13 percent of its staff to help fill what officials called a “sizable structural deficit.” But it will still not be as robust as it was in earlier eras, when the festival regularly staged many more programs.


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