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‘Suffs’ Heads to Broadway With Hillary Clinton as a Producer

The musical, about early-20th-century efforts to win the right to vote for women, will open in April at the Music Box Theater.

Two rows of women, lined up facing forward and shoulder to shoulder, are singing while on a darkened stage. They are all wearing period dresses, and most of the women are also wearing hats.
Shaina Taub’s “Suffs,” about the battle for women’s suffrage in the United States, had an Off Broadway run last year at the Public Theater.Credit...Sara Krulwich/The New York Times

She has been a first lady, a United States senator, a secretary of state, a Democratic nominee for president, and, most recently, a podcaster and a Columbia University professor.

Now Hillary Rodham Clinton is adding some razzle-dazzle to her résumé: She’s becoming a Broadway producer.

Clinton has joined the team backing “Suffs,” a new musical about the women’s suffrage movement, as has Malala Yousafzai, a Pakistani activist and Nobel Peace Prize winner. The producing team announced Wednesday that the show, which had an Off Broadway run last year at the Public Theater, will transfer to Broadway in the spring, opening at the Music Box Theater on April 18.

“Suffs” explores the early-20th-century struggle for women’s voting rights in the United States; the dramatic tension involves an intergenerational struggle over how best to hasten political change. The musical is a longtime passion project for the singer-songwriter Shaina Taub, who wrote the book, music and lyrics; Taub also starred in the Off Broadway production, but casting for the Broadway run has not yet been announced.

The musical is being directed by Leigh Silverman (“Violet”); the lead producers are Jill Furman (“Hamilton”) and Rachel Sussman (“Just for Us”). The show is being capitalized for up to $19.5 million, according to a filing with the Securities and Exchange Commission; Furman said the actual budget will be $19 million.

The Off Broadway production of “Suffs” opened to mixed reviews; in The New York Times, the critic Maya Phillips wrote that “the whole production feels so attuned to the gender politics and protests of today, so aware of possible critiques that it takes on its subject with an overabundance of caution.” But “Suffs” sold well, and Taub and the rest of the creative team have been reworking the show over the past year.


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