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A Japanese Island Where the Wild Things Are

In the pantheon of yokai, spooky beings of Japanese folklore embody anxieties ancient and modern. On Shodoshima, an art contest helps bring new ones to life.

Hands pull back vines to reveal a goblin-face sculpture.
On Shodoshima, it is easy to imagine mythological creatures skulking just beyond the eye’s reach.Credit...James Whitlow Delano for The New York Times

Motoko Rich and

Reporting from Shodoshima, Japan

Most Japanese schoolchildren know the kappa as a trickster who looks like a cross between a frog and a turtle with an indented head. If you’re not careful, it could drag you into the river to drown. The tengu, identifiable by its bright red face and long nose, lurks in the woods. Beware of the tanuki, a supernatural variation of a raccoon dog, for it may make a fool of you when it crosses your path.

These mischievous, occasionally demonic, spooks of traditional Japanese folklore are known collectively as yokai. They once helped explain mysterious phenomena, such as noises in the night, missing food, or the rains and winds that damaged property. Now, as shared cultural heritage, they are ubiquitous in fairy tales, cartoons, advertising, television and film.

Yet what truly distinguishes the yokai of Japan is that they are not frozen in classical legend or restricted to a narrow roster of familiar characters. Rather, each generation invents new yokai, many of them channeling a collective unconscious of present-day anxieties.

This infinitely expanding pantheon of mythological creatures is well in evidence on Shodoshima, a small island in Japan’s Seto Inland Sea, where residents host an art contest and invite entrants to let their imaginations run wild as they create new yokai for the modern era.

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A ferry arriving in Shodoshima, a small island in the Seto Inland Sea that hosts a yokai art contest.Credit...James Whitlow Delano for The New York Times
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A yokai created by Chubei Yagyu, a local artist, painted on the wall of the Yokai Art Museum, which has amassed more than 900 depictions of the creatures.Credit...James Whitlow Delano for The New York Times

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