Jade Kops

Ian Michael’s (Director) presentation of STOLEN reminds the audience that Jane Harrison’s (Playwright) Kate Challis RAKA Award winning play retains a relevance in the 26 years after it premiered. 

Unveiling La Davina: Witness the Power and Passion in every facet of MASTER CLASS. Director Liesel Badorrek did cast Lucia Mastrantone as Maria Callas, but Badorrek must have misplaced Mastrantone during rehearsal and managed to resurrect Callas herself. We were magically transported to her Julliard sessions of the early 70’s.

Walter Bobbie’s 1996 Broadway Revival of CHICAGO is receiving a fourth Australian season with a fabulous new cast. 

Bernie Dieter and her talented troupe of artists welcome Sydney audiences to indulge in a night at CLUB KABARETT. 

LIMBO THE RETURN, as its namesake, is here to once again wow you with another circus cabaret. This is an accomplished show that combines circus/acrobatics with the eclectic music of a passionate band, all led by with Director Scott Maidment’s artistic vision.

Dark and as twisted as the rollercoaster at the center of the story, RIDE THE CYCLONE is a wonderful carnival ride of music, imagery and movement.

Joanna Weinberg (Director, composer, lyricist) delivers an intriguing song cycle celebrating the rich history of Millers Point in MILLERS POINT SONGBOOK.

Shane Anthony’s (Director) presentation of David Ireland’s (Playwright) ULSTER AMERICAN returns to the Sydney stage at Ensemble Theatre.

Mark Taylor (Director) delivers an engaging expression of Alfred Uhry (Book) and Jason Robert Brown’s (Music and Lyrics) Tony Award winning musical PARADE. 

SWITZERLAND. The Ensemble Theatre is very smart. How can one go wrong with a Joanna Murray-Smith work directed by Shaun Rennie and featuring Toni Scanlon with Laurence Boxhall.

The Biennale of Sydney and Performance Space present WORKING CLASS CLOWN by Samoan-Australian Fa'afafine Artist Tommy Misa.

Reuben Kaye, the Glamazon international icon of intelligent cabaret returns to the Enmore Theatre, Sydney, with his latest creation, APOCALIPSTIK.

Director Michelle Carey takes on Gow’s awarding winning Play with an exploration into the machinations of the writer’s block.

Andrew Lloyd Webber and Don Black’s one act song cycle TELL ME ON A SUNDAY receives a rare staging at Hayes Theatre, showcasing Erin Clare as the solo character.

Sydney Theatre Company and Gate Theatre’s-production of Thomas Bernhard’s THE PRESIDENT arrives in Sydney following it’s Dublin season.  Directed by Gate’s Tom Creed, the political satire, translated by Gitta Honegger, from 1975 retains a relevance in the contemporary world of leaders that forget they govern democracies and are elected to serve the people.

Craig Baldwin (Director) delivers a compact but captivating expression of Samuel D. Hunter’s (Playwright) A CASE FOR THE EXISTENCE OF GOD.  The 2022 New York Drama Critics Circle Award Winner for Best Play, this two-hander is a simple but thought-provoking piece that never directly discusses the title.

REVIEW: Guest Reviewer Kym Vaitiekus Shares His Thoughts On POTTED POTTER

In 2020, pre-Covid, Sydney Theatre Company staged NO PAY? NO WAY!, Marieke Hardy’s adaptation of Dario Fo and Franca Rame’s political farce SOTTO PAGA! NON SI PAGA!  This production, directed by Sarah Giles has been given an encore season with new performers stepping into three of the five roles, resulting in an even more captivating and comical evening of theatre that resonates even louder in the current economic climate.

REVIEW: Guest Reviewer Kym Vaitiekus Shares His Thoughts On THE ROCKY HORROR SHOW

GREASE, THE MUSICAL is given a new treatment, satisfying audiences looking for a toe tapping night of nostalgia while honoring the early stage productions and liberally referencing the famous 1978 movie adaptation.