What Does Anxiety Look Like? How Pixar Created the ‘Inside Out 2’ Villain
The breakout character was initially envisioned as a monster. But when the filmmakers saw it wasn’t working, they found their way to a softer antagonist.
By
![After a false start, the Pixar team hit on this take on the character of Anxiety.](https://static01.nyt.com/images/2024/07/02/multimedia/28inside-out-anxiety-01-hzgp/28inside-out-anxiety-01-hzgp-thumbLarge.jpg?auto=webp)
![After a false start, the Pixar team hit on this take on the character of Anxiety.](https://static01.nyt.com/images/2024/07/02/multimedia/28inside-out-anxiety-01-hzgp/28inside-out-anxiety-01-hzgp-threeByTwoMediumAt2X.jpg?auto=webp)
The breakout character was initially envisioned as a monster. But when the filmmakers saw it wasn’t working, they found their way to a softer antagonist.
By
In the first of a projected four-film cycle, Kevin Costner revisits the western genre and U.S. history in a big, busy drama.
By
Still ambitious, she’s also starring in Scarlett Johansson’s directing debut. “I have always had this sense that I am going to get what I wanted.”
By
The chills are more effective than the thrills in this prequel to the “A Quiet Place” franchise.
By
Celine Dion Can Only Be Herself
The singer’s over-the-top sincerity and expressiveness were once seen as irredeemably uncool. In the new documentary “I Am: Celine Dion,” they have become her superpowers.
By
‘Last Summer’ Review: A Shocking Affair to Remember
Few directors get as deeply under the skin as Catherine Breillat, a longtime provocateur who tests the limits of what the world thinks women should do and say and be.
By
‘Fahrenheit 9/11’ at 20: Revisiting the Fear and Anger
Michael Moore’s hit documentary isn’t a prosecutor’s brief but a political and emotional appeal, rooted in the ways in which the country’s burdens are unequally borne.
By
Three Great Documentaries to Stream
This month’s picks look at a summer in Paris, a summer at the Olympics and the heat of the erotic thriller.
By
‘Daddio’ Review: Two for the Road
Sean Penn and Dakota Johnson outclass a humdrum script as two people who talk — and talk — in a New York City taxicab.
By
Advertisement
Eddie Murphy struggles to revive the moribund action-comedy franchise.
By Robert Daniels
The star of “Ripley” and “All of Us Strangers” has become one of our most reliably excellent actors.
By Maya Phillips
The model-turned-actress-turned-businesswoman is the new president of Actors’ Equity. In an interview, she explained what she’s doing there.
By Michael Paulson
“Sausage Party: Foodtopia,” “Lady in the Lake,” “Love Lies Bleeding” and “Those About to Die” arrive, and “Snowpiercer” returns.
By Noel Murray
The writer and director, famous for making theatergoers squirm in their seats, says he feels most at home wherever the outsiders gather in his native city.
By Megan McCrea
David Marchese talks to the comedy legend about navigating the minefield of fame, “Family Feud” and changing Hollywood forever.
By David Marchese
Wearing a costume from “Frozen” in daily life has become a pastime for many children who identify with the character, regardless of gender.
By Abigail Covington
The actress stars in the new “Beverly Hills Cop” movie, but off-camera, she’s reading several books at once and streaming both YouTube and the Criterion Collection.
By Leigh-Ann Jackson
Dr. Alex Arroyo, a director of pediatric medicine in Brooklyn, gets to live out his “Star Wars” dreams, practice jujitsu and make a big mess while cooking for his family.
By Sarah Bahr
The French filmmaker Catherine Breillat has been exploring relationships between girls and older men since the 1970s. Her latest, “Last Summer,” flips the script.
By Carlos Aguilar
Advertisement
Advertisement