File:Hieronymus Bosch 074.jpg
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Captions
Summary
[edit]Hieronymus Bosch: The Haywain Triptych | ||||||||||||||||||||||||||||
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Artist |
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Title |
The Hay Wagon, central panel. |
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Part of | The Haywain Tryptich | |||||||||||||||||||||||||||
Object type |
painting object_type QS:P31,Q3305213 |
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Genre | religious art | |||||||||||||||||||||||||||
Date |
between 1512 and 1515 date QS:P571,+1512-00-00T00:00:00Z/8,P1319,+1512-00-00T00:00:00Z/9,P1326,+1515-00-00T00:00:00Z/9 |
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Medium |
oil on panel medium QS:P186,Q296955;P186,Q106857709,P518,Q861259 |
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Dimensions |
height: 135 cm (53.1 in); width: 100 cm (39.3 in) dimensions QS:P2048,135U174728 dimensions QS:P2049,100U174728 |
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Collection |
institution QS:P195,Q160112 |
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Accession number |
2052 |
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Place of creation | 's-Hertogenbosch | |||||||||||||||||||||||||||
Exhibition history |
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References |
RKDimages, Art-work number 57494, as Hieronymus Bosch and/or workshop, De hooiwagen, circa 1516 date QS:P,+1516-00-00T00:00:00Z/9,P1480,Q5727902 or later (1512-1515)
Web Gallery of Art, as Hieronymus Bosch, Triptych of Haywain (central panel), 1500-02. |
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Source/Photographer |
Web Gallery of Art: Image Info about artwork reference_wga QS:P973,"http://www.wga.hu/html/b/bosch/4haywain/03pcentr.html" |
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Other versions |
Details: |
Licensing
[edit]
This is a faithful photographic reproduction of a two-dimensional, public domain work of art. The work of art itself is in the public domain for the following reason:
The official position taken by the Wikimedia Foundation is that "faithful reproductions of two-dimensional public domain works of art are public domain".
This photographic reproduction is therefore also considered to be in the public domain in the United States. In other jurisdictions, re-use of this content may be restricted; see Reuse of PD-Art photographs for details. |
Annotations InfoField | This image is annotated: View the annotations at Commons |
Signed: Jheronimus bosch
Das Bild wurde nach dem niederländischen Sprichwort "Die Welt ist wie ein Heuhaufen - ein jeder pflückt davon, soviel er kann" gestaltet, was die Unersättlichkeit der Menschen illustrieren sollte und die zur Erreichung dieses Zieles vor nichts zurückschrecken.
File history
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Date/Time | Thumbnail | Dimensions | User | Comment | |
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current | 12:26, 7 April 2010 | 900 × 1,216 (221 KB) | Vincent Steenberg (talk | contribs) | better version | |
03:43, 19 May 2005 | 2,024 × 2,698 (456 KB) | File Upload Bot (Eloquence) (talk | contribs) | {{Painting| |Title=<br /> ** ''de:'' Heuwagen, Triptychon, Mitteltafel: Der Heuwagen |Technique=<br /> ** ''de:'' Öl auf Holz |Dimensions=<br /> ** ''de:'' 135 × 100 cm |Location=<br /> ** ''de:'' Madrid |Country=<br /> ** ''de:'' Niederlande |Gallery=< |
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Metadata
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JPEG file comment | BOSCH, Hieronymus
(b. ca. 1450, 's-Hertogenbosch, d. 1516, 's-Hertogenbosch) Triptych of Haywain (central panel) 1500-02 Oil on panel, 135 x 100 cm Museo del Prado, Madrid Like the Tabletop of the Seven Deadly Sins, the Haywain shows mankind given over to sin, completely unmindful of God's law and oblivious to the fate which he has prepared for them. In this image, however, Bosch focuses on one of the Deadly Sins: the desire for worldly gain, or Avarice, whose sub-categories are elaborated in the adjacent figure groups very much as they are in the old handbooks on the Virtues and Vices. Avarice leads to discord, violence and even murder, all of which are graphically depicted in the open space before the cart. If the princes and prelates complacently jog along behind the cart, holding themselves aloof from this struggle, it is because the haystack is, so to speak, already in their possession; they are guilty of the sin of Pride. Avarice also leads men to cheat and deceive; the man wearing a tall hat and accompanied by a child at lower left is most likely a false beggar. The quack physician in the centre has set up his table with charts and jars designed to impress his victim; the purse at his side stuffed with hay alludes to his ill-gotten gains. Several nuns at lower right push hay into a large bag, supervised by a seated monk whose gluttonous tendencies are revealed by his ample waist. The meaning of some of the other groups remains unclear, and we may also wonder at the presence of the lovers on top of the haystack. That they illustrate the sin of Lust we know from the appearance of similar figures in the Prado Tabletop, but it might be argued that the pursuit of the pleasures of the flesh involves the expenditure rather than the accumulation of earthly goods. A class distinction may perhaps be observed between the rustic couple kissing in the bushes and the more elegantly dressed group making music. Their music is certainly that of the flesh, for the devil near by, piping some lascivious tune through his nose, has already lured their attention from the angel praying at the left.
Author: BOSCH, Hieronymus Title: Triptych of Haywain (central panel) Time-line: 1451-1500 School: Netherlandish Form: painting Type: religious |
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Structured data
Items portrayed in this file
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- Images from Web Gallery of Art
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- WGA form: painting
- WGA type: religious
- WGA School: Netherlandish
- WGA time period: 1501-1550