File:Abraham Storck - Shipping - WGA21820.jpg
Original file (800 × 682 pixels, file size: 74 KB, MIME type: image/jpeg)
Captions
Summary
[edit]Abraham Storck: Shipping | ||||||||||||||||||||||||||||
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Artist |
artist QS:P170,Q330635 |
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Title |
Shipping |
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Object type |
painting object_type QS:P31,Q3305213 |
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Genre | marine art | |||||||||||||||||||||||||||
Date |
1690s date QS:P571,+1690-00-00T00:00:00Z/8 |
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Medium |
oil on canvas medium QS:P186,Q296955;P186,Q12321255,P518,Q861259 |
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Dimensions |
height: 75 cm (29.5 in) ; width: 89 cm (35 in) dimensions QS:P2048,+75U174728 dimensions QS:P2049,+89U174728 |
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Collection |
institution QS:P195,Q2018379 |
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Accession number |
NGI.228 (National Gallery of Ireland) |
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References | ||||||||||||||||||||||||||||
Source/Photographer |
Web Gallery of Art: Image Info about artwork reference_wga QS:P973,"http://www.wga.hu/html/s/storck/abraham/shipping.html" |
Licensing
[edit]
This is a faithful photographic reproduction of a two-dimensional, public domain work of art. The work of art itself is in the public domain for the following reason:
The official position taken by the Wikimedia Foundation is that "faithful reproductions of two-dimensional public domain works of art are public domain".
This photographic reproduction is therefore also considered to be in the public domain in the United States. In other jurisdictions, re-use of this content may be restricted; see Reuse of PD-Art photographs for details. |
File history
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current | 08:06, 10 June 2011 | 800 × 682 (74 KB) | JarektUploadBot (talk | contribs) | {{Artwork |artist = {{Creator:Abraham Storck}} |title = Shipping |description = |date = {{other date|s|1690}} |medium = {{Oil on canvas}} |dimensions = |
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Metadata
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JPEG file comment | STORCK, Abraham
(b. 1644, Amsterdam, d. 1708, Amsterdam) Shipping 1690s Oil on canvas National Gallery of Ireland, Dublin Although some specialists in marine painting who worked during the last decades of the 17th century are not without interest - among them Abraham Storck who painted imaginary Mediterranean ports - neither they nor Bakhuizen were able to maintain the high standard set by van de Cappelle and Willem van de Velle the Younger. In the late marine paintings, over-agitation and overly emphatic contrasts take the place of subtle co-ordination. The perspective effect is overdone, and the tonal designs harden. As in the work made at the beginning of the century, novelties and anecdotal tendencies become more important than the impression of nature. Too many things happen in the late seascapes. In the tempests, stormy seas and dramatic skies compete as rivals for our attention, and in the calms, a minute realism overburdens them with detail. Reproduction courtesy of Bernard Huyvaert's <A HREF="http://www.multimania.com/manchicourt/index.htm%22 TARGET="_blank">Dutch 17th century.</A>
Author: STORCK, Abraham Title: Shipping Time-line: 1651-1700 School: Dutch Form: painting Type: landscape |
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Structured data
image/jpeg
45a1c9af8eb4234a2fbff397826fe1a988b4a4aa
75,500 byte
682 pixel
800 pixel
- Seascape paintings by Abraham Storck
- Dutch paintings in the National Gallery of Ireland
- Marine paintings in the National Gallery of Ireland
- 17th-century sailing ships in paintings
- 17th-century oil on canvas paintings
- Paintings of sailboats
- Oil paintings of ports and harbours
- People at ports and harbours in paintings
- 17th-century paintings of ports and harbours
- Images from Web Gallery of Art
- Artworks with Wikidata item
- Artworks with accession number from Wikidata
- Artworks with known accession number
- Artworks digital representation of 2D work
- PD-old missing SDC copyright status
- CC-PD-Mark
- PD-Art (PD-old-100)
- PD-Art missing SDC copyright status
- WGA form: painting
- WGA type: landscape
- WGA School: Dutch
- WGA time period: 1651-1700